Loudini Rock and Roll Circus Music Podcast
Hosted by LouLombardi aka Loudini & Kevin O'Connor
What are the most anticipated new releases of 2016 ?
Kevin and Lou “Loudini” discuss the most anticipated releases of 2016 in music and movies. Plus Loudini share’s his super secret social media ninja trick guaranteed to get people to engage with your social media posts. This is also the final recap of the top Loudini artists with music by Silk9, The Turbosonics, Sandi Thom, Maryleigh Roohan and Tarra Layne.
Leone and Jamie Rohr.
The" vision" of Silk9 was to "embrace" the essence of the 90’s and add an original spin
on today’s hard rock genre.
In May of 2014 the band released its first EP entitled “Exit the Pain.” Songs from the EP have
been featured on 97.7 fm located in Butler PA, Adrenaline 101 internet radio, 105.9 fm the X, in
Pittsburgh PA., 102.5 WDVE in Pittsburgh PA, ThePAROCKSHOW.COM, The EAgle 107.5 and recently featured on Lou Lombardi's, Rock n' Roll Circus.
We strive to keep our standards high by working with some of the top local bands in the area and national acts such as Lynch Mob,
Adelitas Way, The Art of Dying, Hillbilly Herald, Drowning Pool, Crobot,Skid Row and on most recently Jake E Lee's Red Dragon's Cartel
Check out a show, you will not be disappointed!Band Members
Keith Caldwell – Bass
Timmy Klatte – Drummer
Jason Truckenbrod – Guitar
Influences
Good Surf Music
Surfing
Girls
Zombies
While these are not what you might expect in this section...they are all things that influence us
Sandi Thom was the first singer/songwriter ever to gain global stardom and a major label record deal through the use of webcasting.
There may have been a backlash – it happens when anyone does anything ground-breaking – but there’s no getting away from the fact that she was the first pioneer of what was a huge turning point in the music industry.
But it’s a long way from that global smash – ‘I Wish I Was a Punk Rocker (With Flowers in My Hair)’ launched from webcasts in a London basement – to where proud Scot Sandi Thom finds herself today with an amazing, eclectic, highly credible body of work behind her… and an amazing new album ahead.
She has recorded in Nashville and LA, has worked with top producers and songwriters, has written for important media outlets like The Daily Beast, has graced the stage of the legendary Royal Albert Hall, has played at Glastonbury, has performed on stage with Brian May, Alice Cooper and George Michael and is now embarking on a brand new groundbreaking chapter in her career as she produces her new album.
‘Weapons of Past Destruction is the first album I’ve produced,’ says Sandi. In fact, there aren’t many female singer/songwriters who also produce their own work, but then Sandi has never been afraid to break new ground. ‘It’s about picking up the pieces and starting all over again in the aftermath of an emotional disaster,’ she goes on.
‘The songs are about war, death, destruction, anger, courage and hope as well as reconciling with the past and moving on. I don’t pretend to have a hard life. I’m not living through a war. I don’t know that kind of pain and suffering but in my own small way, like everyone in life, I have had to face that moment when the rug gets pulled out from under your feet and you’re left standing there with a broken heart, shattered dreams and the long road ahead to rebuild your life.’
The moment she’s referring to was the end of her long-term relationship with legendary musician Joe Bonamassa. It was a split that came out of the blue, leaving Sandi shell-shocked and at a loss for what to do next. ‘The first single from the album is called “Earthquake”,' she says. 'It’s a song where I try to come to terms with what happened that day. I wanted to write a song to share with people of all ages who could relate to how I felt when I had that bombshell dropped on me. It’s often hard to put into words.’ She also accepts that she's been on the other end of the equation, causing the heartbreak as well as being the victim of it.
These themes of love and war run through the album with songs like 'World War One', that deals with the real human experience of being caught in a war while 'Song of a Broken Heart' deals with the destruction, loss and pain you feel when a relationship disintegrates: '... closing doors in empty halls, silence now where laughter once was, the music fades away...'
They are songs that Sandi had to write and write again because of how personal they were to her. The chorus of 'Song of a Broken Heart' is, she explains, 'almost an anthem for all those who have experienced something like this... "this is the song of the last goodbye, this is the song of the great divide".'
But it's not all heartbreak. There is anger then the sense of rebuilding, digging deep and finding the courage to start that long road to recovery. Songs like 'Carry You Over the Finish Line' and 'The Courage' are, she explains, 'about the hope that one day you are going to look back on all this and be thankful for the pain that you endured because what was waiting for you was a whole lot more exciting.'
In Sandi's case, what was waiting for her was Matt, a man she fell in love with almost at first sight and who proposed to her even before their first kiss, an experience that inspired her most recent songs, tracks like 'Timeless' and 'Soarsa', an unfinished song from years ago she was driven to complete by real events. 'These are songs of hope,' she explains. 'Songs that show that in the aftermath of an emotional disaster, what lies in front of you can be a million times better than what you left behind.'
As well as wanting to write and produce songs that people of all ages could relate to, Sandi also wanted to return to her pop roots. 'After many years of a musical adventure into many different genres, I wanted to go back to creating catchy, memorable melodies very much like my earlier work,' she explains. Having managed herself for years and having released her own albums, producing was the next logical step. 'It brings together everything I've learned throughout the years working with so many incredible musicians and producers,' she explains. 'Now was most certainly the time to come back with a bang.'
It all started in Scotland where Sandi grew up in a family filled with singers, musicians, poets and published authors. 'Expressing yourself was always encouraged,' she says. 'It's just what you did.' Steeped in the storytelling music of Joni Mitchell, that original punk rocker with flowers in her hair, and Buffy Sainte-Marie, who she would eventually come to record a duet with, Sandi was learning piano by the age of four and at 12 realised that she didn't have to play other people's songs but could write her own. By this time, she was playing and singing with a group much of much older men on the local circuit, just getting into the music of Fleetwood mac that they were exposing her to. She still has some of the early demos from when she was basically a child.
With this early immersion into the world of music, it should come as no surprise that Sandi was the youngest person ever to be accepted into the prestigious Liverpool Institute of Performing Arts, where she honed her skills not only in music and performance but in the business side of the music industry as well. As she says about the now legendary webcasts from the basement in south London that went global, it wasn't an accidental arrival on the scene, it was a conscious act of promotion from someone who knew the business and was ahead of the curve when it came to what was then called 'new media'. The result of putting this knowledge into action was a global number one single - 'I Wish I Was a Punk Rocker (With Flowers In My Hair' - and a global career.
But despite such massive commercial success, including an album that went straight to the top of the UK charts, Sandi has never seen chart-topping as her reason for being in music, preferring to explore the world and use her experience to illuminate her songwriting, like Joni Mitchell before her. She was writing and recording 'records that were off on a tangent', she explains, including one that was openly 'a big "screw you" to the industry'. She was choosing the path of the genuine musician, rather than the pop star. It was a bold path to take, turning your back on success to actually explore your craft, but it's a boldness that has always stood Sandi in good stead, bagging her a ground-breaking US record deal despite no sales history there.
She was also resisting her friends' pleas for her to start writing for films or for other artists, where they were convinced she could make her millions. 'But I knew it wouldn't make me happy,' explains the woman who has always run her own career. 'I never gave up and I just kept rallying through to have some amazing experiences. Some great musicians I worked with genuinely showed me real respect.'
It's the combination of that musicianship, her experiences - for good or bad - and her sheer boldness that makes Weapons of Past Destruction the album it is. 'There was a lot of emotion that I had to work through,' she concludes. 'But now I've met Matt and he's like the male version of me. We're like two peas in a pod. I realise now that I always longed for someone adventurous, exciting and not afraid to take a chance.'
And with all of that stacked in her corner, this album truly marks the reboot of what has already been an amazing career.
“The wisdom of an old soul in the body of a young, yearning individual.” Whether it’s her dynamic and passionate performances, or her poignant and honest songwriting, this sentiment has been expressed throughout Roohan’s career. With a style that shifts seamlessly from sunny indie pop to heartfelt Americana and a stage presence that’s full of dynamic soul, she’s an entrancing presence who is making waves.
MaryLeigh was nurtured as a writer and performer at the celebrated Caffe Lena before shipping off to play pubs in Scotland for a year. Since moving back to the states, she has played everywhere from intimate cafes to wild festivals and has had the pleasure to open for acts like Milo Greene, Sister Sparrow & the Dirty Birds, and Sean Rowe, and tour alongside Erin McKeown, Chris Pureka, and Melissa Ferrick.
In 2011, Roohan ventured to The Music Shed in New Orleans to record her debut album, The Docks. The album received wide acclaim in New York’s capital region. Beyond securing rotation on both college and public radio stations (WEXT, WEQX, WSPN),The Docks’ single “Foolish Girl” was named second to Sean Rowe’s “Downwind” in 97.7 WEXT’s Top 60 Songs of New York’s Capital Region (2012). This release and her many heartfelt performances reached wide audiences and, in 2012, the top alt-weekly in New York's capital region - Metroland -named Roohan "Best Female Singer-Songwriter".
Taking time to graduate from college, Roohan was laying low in 2013 except for her secret adventures to record a new album with Jason Brown at JBrown Noise. The time in the studio yielded a ten-song album that she released nationally in January 2014. Met with glowing reviews in her hometown, Roohan has widened her sights. With Skin & Bone in hand and her persistent wanderlust has brought her into the hearts of people all over the country. Skin & Bone has attracted new fans and opportunities including the chance to create original music for a soon-to-be-released documentary about women of 1969. Catch her in concert by checking her forever-changing tour schedule.
Tarra resides in a place where Grace Potter, Amy Winehouse, and Gretchen Wilson collide – where gritty, care-free, home-grown soul meets sultry pop-rock ‘n roll. Combining her heavy 90s R&B upbringing with a love for rock and blues, Tarra is uprooting and constructing a style of her own. It has been referred to as Funktry due to her big soulful timbre, southern attitude, and contemporary twist. Thousands of followers and downloads later, Tarra is creating something quite extraordinary.
Last year, Tarra received a proposal to be a featured vocalist on a blues project based in Minneapolis, MN. Having lived in Nashville, and traveled coast to coast for various musical endeavors, she wasn’t expecting much from the seemingly random town in the midwest. Yet, she quickly realized she was not only recording a song written for Etta James, but also performing on a project with Grammy award-winning players who made their living working with the finest legacy artists of the 20th century. Steve Cropper, Sonny T, Larrie Londin, Jellybean Johnson, and Norbert Putnam, to name a few. The occasion evolved into a rare opportunity that any artist, young or seasoned, could only imagine. In October, she was offered the chance to record her own material with a handful of the heavyweights and soon found herself in a vocal booth at a hip studio tucked away in a corner of the San Fernando Valley. She peered through the glass at Leland Sklar, Waddy Wachtel, Russ Kunkel, and Dr. Matt Fink as they shredded away at songs that she had penned. Having only claimed residency in Los Angeles a few months prior, it was quite the kickoff to proceed her endeavors in the City of Angels.
It wasn’t the first time Tarra had reached an incredible milestone. Her first self-released single, ‘Beautiful Day’, earned her a spot gracing the stage with Gavin DeGraw and Vanessa Carlton at the Origins Rocks Earth Month Concert in 2012. ‘Beautiful Day’ had been up against over 4,000 submissions to win the opportunity and was featured in an Origins Skin Care campaign, which had widened eyes in the management world. After the event, she hit the road for a tour in New York and was recognized by Pittsburgh’s Iron City Beer as an artist on the rise. Returning home, she scored a spot hosting a small web-series called Hot Rock TV. Though short-lived, she interviewed celebrities such as the ‘Queen of Bluegrass’ herself, Rhonda Vincent, country star Phil Vassar, 80s icon Eddie Money, and the one and only Bret Michaels.
In 2013, Layne released her live sophomore EP, ‘The Yellow Couch Sessions,’ which jet-propelled her fanbase. She sells her ‘signed and smooched’ merchandise online to the masses and continues to grow her audience, a following now over 45,000. Currently in Los Angeles, she has landed demo sessions for Cirque du Soleil, television, and major artists. She is continuing to write and perform regularly. To put it lightly, Tarra’s tenacity in ‘keeping up with the big dogs’ is impressive. At this pace, it won’t be long until you see Tarra shining with the greats on big stages.
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