Tuesday, August 22, 2017

Are There Any TRUE Guitar Heroes Today

From the late 1960's through most of 1990's guitarists ruled rock music. They were usually as well known as the lead vocalists and pop artists of their day. They also inspired the next generation to pick up an "axe" and throw their hat in the rock and roll ring. We all know the greats, Hendrix, Clapton, Van Halen, Zakk and Slash, but who are the current guitar gods? Who are the guitarist from today who are inspiring the next generation of axe slingers? Are there any? Today Lou and Keith attempt to answer this question.  Featured Loudini Artists:   Diamante  Islander  Sky Valley Mistress

Enter Diamante. With iridescent sapphire hair, a show-stopping voice, runway-ready fashion swagger, and an empowering message, the Boston-raised and Los Angeles-based Mexican-Italian-American sonic heroine brings a new (and blue) fire to rock and alternative music. Serendipitously, her name might as well have pre-destined a future in the spotlight…
“In Spanish, Diamante means ‘Diamond,’ and my middle name Azzura means ‘Blue’ in Italian,” she explains. “If I was a color, I would be blue. I love it, because it’s bold, ethereal, and everything I am.”
Born to an Italian dad and Mexican mom in a Boston suburb, she always stood out. Interchangeably speaking three languages—Italian, Spanish, and English—she found inspiration in words, penning poetry and short stories at a young age inspired by J.K. Rowling and Stephen King. Drawn to musical theater, the budding performer starred in school productions of The Little Mermaid, Grease, and more before relocating to L.A. with her family at 13. Already a fan of Kelly Clarkson and Avril Lavigne, her discovery of rock music via a School of Rock summer program ignited a dormant passion.
“Being on stage and singing rock was the way I broke out of my shell and was able to realize who I am and the full potential I have,” she admits. “From there, I really connected to the women of the eighties like Joan Jett, Pat Benatar, and Debbie Harry. I thought they were so cool, iconic, and badass. That’s how I wanted to be.”
Diamante spent the next few years quietly cutting her teeth at local gigs on the Sunset Strip as a singular musical vision came into focus. A disciple of both P!nk and Guns N’ Roses who doesn’t fall into rockstar excess or even sport tattoos, she devoted every waking minute to honing a signature “classic rock sound with a modern alternative edge.” This unique and undeniable approach caught the attention of Eleven Seven Music Group and Better Noise Records who signed her in 2015. Amassing a bevy of ideas, she hit the studio with super producer Howard Benson `{`My Chemical Romance, Chris Cornell, Halestorm, Kelly Clarkson`}` to record what would become her full-length debut, Coming In Hot. “Diamante is the only true heir to the female rock throne that has been vacant since Joan Jett’s heyday,” says Howard Benson.
“Howard really pushed me to be vulnerable and talk about things I was afraid to talk about,” she goes on. “I finally got the courage to be honest with my lyrics and myself. I want to be someone girls and guys growing up can relate to.”
Her single “Coming In Hot”—out June 16, 2017—seesaws between an arena-filling chant and a robust and raucous riff. At the center, she confidently serves up the knockout refrain, “Whether you’re ready or not, I’m coming in hot!”
“It’s essentially a super fun weekend summer anthem,” she smiles. “I picture people leaving their day jobs in the car on a Friday, cranking this, and getting ready to go nuts on the weekend. It’s also a metaphor for me coming in hot into the industry. I want to bring this style back and take over rock.”
In the end, rock ‘n’ roll has never sounded, looked, or felt like Diamante on Coming In Hot.
She leaves off, “When people hear this, I’d like for them to think, ‘Oh my God, rock is not dead. This girl is bringing it back’—whether they’re ready or not…”

It has been quite a journey for ISLANDER, who, in just over a year, have gone from obscurity to a band in constant radio rotation. Fueled with a combination of emotionally capturing songs and audience grabbing live shows, ISLANDER continue to lead at the forefront of their peers. 

ISLANDER have stayed busy, constantly touring with bands such as Korn, Papa Roach, P.O.D., Suicide Silence, Seether, Nothing More and many others. Catch their energetic live show in a city near you!

"These guys just might be the new force in heavy rock"
- Alternative Press

“New school band with old school soul and passion. Keep your eyes and ears open for these guys!” – Sonny Sandoval of P.O.D

“Creativity gets an A+.” – H.R. of BAD BRAINS

General Manager
Jerry Clubb: Ricochet Management - Jerry@ricochetmgmt.com

Press contact
Tom Wojcik: tom@victoryrecords.com

Booking agent
Booking: Andrew Goodfriend at TKO Booking – AndrewGoodfriend@tkoco.com Europe: Marco Walzel at Avocado Booking – marco@avocado-booking.com
Band Members
Mikey Carvajal - Vocals 
Chris Carvajal - Keyboard
Eric Pedersen- Guitar 
David Sharpe - Bass 
Andrew Fleming- Drums

Greenville, SC

Sky Valley Mistress
We're the best thing you've never heard.

Popped Music - "A brash and bold outfit sounding like PJ Harvey fronting Lenny Kravitz’s backing band."

The Blues Magazine - “SKY VALLEY MISTRESS mean business as they come swaggering out of 
Blackburn to set hips shaking and pulses racing with a blend of dirty blues and 
raw rock and roll”. 

TeamRock - "Fronted by the formidable Kayley 'Hell Kitten' Davies, the quartet take their musical cues from Zeppelin, Sabbath and the meanest, low-down urban blues, to deliver bruising rock 'n' roll thrills."

Rhythm Magazine - "...Their sound remains defiantly stripped down, fuzzy and dirtier than a ghetto dumpster."

Filtered Magazine - "They show their generation the way that rock and roll should be done."

Manchester Rocks - "Sky Valley Mistress are a cacophony of rock n’ roll excellence."

Louder Than War - "Sky Valley Mistress are a force to be reckoned with."

God Is In The TV Zine - "Their passion for loud old school rock’n’roll is oozing from every pore. A must for any Led Zeppelin enthusiast or a QOTSA fan."

Quenched Music - "Bands like Sky Valley Mistress are a rare breed and should be celebrated."”

Press contact
Matt Reynolds - matt@savagegringo.com

Booking agent

Sunday, August 13, 2017

The Top 5 Most Quotable Movies of All Time

"Don't call me Shirley." You can't handle the truth!" "Go ahead; my day..." There are literally hundreds of quotable lines from movies, but which movies are the most quotable and most quoted of all time? That's the topic for this week's Loudini Hard Rock and Metal Circus. As always, Lou and Keith will also play some KILLER hard rock and metal by the best indie artists out there.  Featured Loudini Artists:   Firewind  Lionize  Butcher Babies

Time to wake the sleeping giant...
It’s been four years since Firewind released their critically acclaimed seventh album ‘Few Against Many’ but in that time the band and it’s various members have all been extremely busy. Main man Gus G. has released not one, but two solo albums, toured in support of both of them and hit the road once again with the ‘Prince of Darkness’, Ozzy Osbourne. His fellow Firewind band mates have also been far from idle too; but despite the prolonged break in activities Firewind was always going to return and 2016 will see the band back and blasting on all cylinders!
The band will return with live activities and a new singer. Henning Basse, a long time friend and collaborator of Gus’ is the man trusted to bring Firewind back to the masses. His rich, classic rock referencing vocals are the perfect foil for the wealth of material the band have been working on and he brings a reinvigorated power to the band.
Firewind return with a string of dates throughout 2016 as they prepare their brand new studio album.

Black Sabbath, Thin Lizzy, Iron Maiden, Judas Priest, Scorpions, Dream Theater, Gary Moore, Metallica and many more!

Press contact
Nasrin Vahdani (Europe / Rest of the World) | nasrin.vahdani@centurymedia.de

Booking agent
(Europe, Asia): LuckyBob Music Management: lucky@luckybob.de

(Greece, Cyprus, Bulgaria inquiries only): Elias Aravidis elias_aravidis@yahoo.com... See More

Washington D.C. is chiefly considered for its political climate. It’s easy to forget that this city has spawned some of the most diverse, fiery sounds in modern music. It’s a cornerstone in a region that’s integrated rock, hardcore punk, reggae and more through the likes of Bad Brains, Fugazi and Clutch, and where Latin and funk fused to form the vibrant sound of go-go music. And in its suburbs, four guys – aka Lionize – have been stirring up this heavy, colorful cocktail with a profoundly creative approach, an arsenal of tasty, bluesy hooks and a tone of sci-fi-infused lyrics. 

Over the years, Lionize have cultivated a unique blend of funky riffs, cyborg tales and soulful rock sensibilities. From the beginning, with 2005’s Danger My Dear, they were pushing boundaries. In 2008 they recorded second album, Space Pope And The Glass Machine, at Harry J Studios in Jamaica – where Bob Marley made several records. By the time the propulsive Jetpack Soundtrack was released (in 2014) they’d streamlined all this experience into an original, more-ish rock whole. Now, with their new LP, Nuclear Soul they’re raising the bar again with their most fearless, expansive-sounding songs yet. 

As singer/guitarist Nate Bergman tells us: “It [the music] has elements of bands like Clutch and Deep Purple, but its not quite that – it’s something all it’s own. I think the beauty of the band right now is that all these elements touch on something familiar, but also sound new.”

The Lionize story begins in Silver Spring, Maryland, where Bergman, keyboardist Chris Brooks and bassist Henry ‘Hank’ Upton met as teenagers in middle school. By high school they’d become firm friends, bonding over a shared appreciation of their local music scene, as well as a healthy dose of classic staples from Led Zeppelin and the Rolling Stones, to Parliament and Motown. In 2004 they formed Lionize, completed by drummer Chase Lapp in 2013. 

Along the way, they’ve enthralled audiences at festivals including Red Rocks and Desert Fest, and on tour with The Wailers, Clutch and others. Support slots with Bad Brains and Steel Pulse also earned them kudos as a ‘reggae rock' group – as did their stint with dub/reggae icon Lee Scratch Pretty. In truth, however, Lionize were always about much more than that. Now, signed to New York’s The End Records, the band are taking a fresh look at their sound. Cut at the Magpie Cage studio and The Lion’s Den, MD, the new album was co-produced with the band by J.Robbins and (Clutch drummer) Jean Paul Gaster. No tricks – just a liberated, highly driven set of tunes.

In writing and road testing the album the band aimed to redefine what it means to be a classic sounding rock’n’roll band. Thematically, they also harnessed the present political climate to powerful effect. Opener Darkest Timeline is at once fiercely groovy and evocative of social disenchantment, while Blindness To Danger closes the album with a propulsive bang. Tracks like Power Grid Blues evoke a turbocharged Deep Purple, if they’d spent time in soul bands. Fire In Athena starts softly before growing into an emotive call to arms. And Ain’t It A Shame stirs blues, reggae hints and Santana-esque guitar into one passionate declaration. Familiar but new, as Bergman says.

“We had no rules or ideals,” he continues. “We just wanted to take people on a musical journey that excited them, and showed how emotionally moving the band could be.”

Ultimately this is Lionize at their most arena-ready – without compromising on soul, sass or substance. It’s that wonderful space where vintage style and contemporary fire collide.

(Written by: Polly Glass)

Current Location
Montgomery County, MD

General Manager

Thin Lizzy, Clutch,Steel Pulse,The Bakerton Group,The Heptones, Deep Purple, Bob Marley and the Wailers, Capleton, Bad Brains,Miles Davis, John Coltrane, Led Ze... See More

Press contact
USA: leo@theendrecords.com / UK: kirsten@cosanostrapr.com

Booking agent

United Talent Agency World Wide
North America: Tim.Borror@unitedtalent.com
UK/EU: Ben.Ward@untitedtalent.com

Butcher Babies
Hailing from the City Of Angels, BUTCHER BABIES offer redemption from the overplayed underground, exorcising demons with a visceral sound matched only in scope by their explosive stage show. Frontwomen Heidi Shepherd and Carla Harvey, guitarist Henry Flury, bassist Jason Klein and drummer Chase Brickenden juxtapose brutal, aggressive riffs with beautiful melodies that wail with anguish and hope for redemption. 

The band signed a worldwide deal with Century Media Records in December 2012, and a month later hit the road with Marilyn Manson on what proved to be one of the new year's most talked about tours. Less than a year later, July 2013, they released their debut album GOLIATH, produced by Josh Wilbur (Gojira, Lamb of God, Hatebreed). Since then, Butcher Babies have toured relentlessly among the likes of Rob Zombie, Five Finger Death Punch, Danzig, In This Moment, Cradle of Filth, Black Label Society, etc; played music fests including Mayhem, Knotfest, Louder Than Life, Aftershock, and Welcome to Rockville, etc. and appeared in the film Alleluia! : The Devil’s Carnival. 

On August 21, 2015 Butcher Babies released their highly anticipated follow up, TAKE IT LIKE A MAN and released a music video for each song on the album. Carla Harvey said: "The majority of the album is very aggressive thrash metal. On this album, we wanted to go back to our roots, which were aggressive thrash, and ninety percent of the album is that.” Added co-vocalist Heidi Shepherd: "But the thing is we're not ever gonna sacrifice who we are for that. What we're attempting with this is to bring back the metal and the aggression into radio. So we kind of… We merged the two worlds. And radio stations who have heard it so far are impressed and we're very excited for that.”

Current Location

General Manager
Anger MGMT - kreese@sgeworldwide.com


Press contact
George Vallee - george@concretemktg.com

Booking agent
US - Justin Hirschman for AGI

UK/Europe Dan DeVita for TKO

Tuesday, August 8, 2017

Loudini Interviews Cale Bonderman of Cale and The Gravity Well

Cale and the Gravity Well formed in late 2015, mostly as the result of a joke. Cale's sister Zoe had earlier opined that she was thinking of starting a record label, and Cale, with all the certainty of the skeptical, declared that he would join it. His first album, the Age of Envy, was released not even a year later, in May 2015.

DC based rock band Lionize acted as producer for the album, and as such has heavy rock influences, but the Age of Envy also contains elements of folk and indie. Cale points to such influences as the Fleet Foxes, Doc Watson, the Black Keys, and Shakey Graves, all of which combine into a sound that is all his own. Since then he has had tour dates across America, including a performance at the first annual Bonanza Campout in Heber City, Utah. 

Cale resides in New York city, where he is simultaneously trying to learn the fiddle and the banjo, and playing open mics regularly. Musical ideas will grip him like a vice and, for a week or so, turn him into a man possessed, haunting his bedroom, huddled around his condenser mic, whispering strange and manic incantations into a passive metal ear. Usually, this turns out ok, but if you should ever see a wild-eyed, curly haired lunatic dressed in a superman shirt and harem pants belting sea chanties at the top of his lungs, please return him to Made in the Shade Records in Colorado. They will know what to do.

Loudini Interviews Tin Can Fish Band

Tin Can Fish Band started as the duo TinFish in 2006, with Steve and long time friend, Colonial Williamsburg tavern musician and all around stringed instrument maestro, Doug Austin. While primarily performing original songs, TCFB draws from a wide variety of material and songwriters ranging from public domain and Bluegrass to classic pop, Americana and World music. 

Doug and Steve have performed for several years throughout the southeast and collaborated on several studio projects including "Broken Land Parkway" and "Nothing But Hope". Doug is a much sought after string player in central Virginia and also plays in the Runaway String Band and Blue Line Highway. 

Drummer and Hand percussion player Jack Taggart  (ILLbillys and  The Lost Souls) and Circuit Rider/ Single Bullet Theory bassist and long time musical cohort Keith MacPhee combined with TinFish to form TIN CAN FISH BAND in 2012. Veteran Richmond guitar favorite John Leedes joined TCFB in November 2013  followed by Joe Conner on Accordion and keys in 2014. Together they  filled out the bands sound with soaring electric leads and intricate layering interwoven with Doug's mando and fiddle giving Tin Can Fish Band its unique acoustic and electric blend.  

Doug Austin (mandolin, fiddle,and vocals) is a native Virginian.  Raised in Williamsburg, VA, he spent part of his early years singing in the boys choir at Bruton Parish Church, which exposed him to lots of Bach, Handel, and early baroque music. Playing guitar throughout his teens, and listening to classic rock, he discovered live Bluegrass music in the parking lot of a mall.  This changed everything. Soon after, following a diving accident resulting in three cervical fractures, Doug picked up the mandolin which became his constant companion during his long recovery. A couple of years later, he took his mandolin chops into the Richmond based bluegrass band Virginia Rail. 

Playing informally for many years, while supporting himself with various day jobs, he took the plunge in 1999, becoming a contract performer  for the Colonial Williamsburg Foundation. To this day  he plays 18th century music in the various taverns and for special events throughout the museum.  One of his more unusual gigs involved providing  music for a tea hosted by Queen Elizabeth II.  Secret Service snipers in the surrounding trees and buildings made this a memorable, if slightly unnerving performance.

Doug has performed and recorded with various singer/song writers including Steve Fisher and Karen Trump.  
He is a founding member of SOY HERO ,  the Williamsburg based  RUNAWAY STRING BAND, and the Richmond celtic/americana band, TINKERS DAM. He is an active member of the  RVA group BLUE LINE HIGHWAY.

Doug has lived for the last 23 years in an old house on rolling farmland in King and Queen County, raising crops, a family, and enjoying the countryside when not on the road for a gig. An early musical mentor once told him "whenever possible, play with musicians who are better than you".  He took these words to heart, and has had the good fortune to play with many fine musicians like his fellow band mates in TIN CAN FISH BAND. 

Steve Fisher ( lead vocals and acoustic guitar) has been talking back to the television since he was a kid sitting on the floor of his grandmother's house in Tuskeegee, Alabama. While still a youngun', Steve and his brother were shuttled around the South between parents living in small towns, hotels and boarding houses. He picked up the guitar as a teenager in Richmond, Virginia and began writing songs soon thereafter. 

Steve's acoustic folk rock manifests a touch of irony and sarcasm while championing the underdog. His poetic style expresses his keen interest in southern americana and he enjoys finding humor in the absurd and struggle of everyday life. He has been writing and performing his songs both solo and in bands since his days at the University of Virginia. Steve has toured the East Coast and Europe playing his songs and has been in groups based in New York, Boston, Washington, D.C., Grayton Beach Florida and currently calls Richmond, Virginia home. He has opened for a wide variety of bands including Natalie Merchant and Ten Thousand Maniacs, Modern English, The Dickies, The Slickie Boys, REO Speed Wagon, and Fog Hat.  Steve was cofounder of the band Ten Ten/ Chrysalis UK and more recently The Circuit Riders/Planetary Records with TCFB bassist Keith Macphee.

Steve was presented the Virginia Organization of Composers and Lyricists (V.O.C.A.L.) Lyricist of the Year Award and the Recording Artist of the Year Award for his original songs featured on the CD, Richmond Local 641. Several of his songs were featured on the first two Floating Folk Festival CDs released by Planetary Records. He also spearheaded the release of two CDs, Deed of Trust and Sun Moon Mule with his band The Circuit Riders. Steve released his first solo album in 2006, Broken Land Parkway, recorded live in studio with Doug Austin and chosen as pick of the month by the Chicago based site BuzzFlash.com in July, 2006. Several of Steve's songs have received extensive airplay in the U.S. and Europe.

After 2 years of work in studios in Virginia and Northwest Florida, Steve's most recent project, Nothing But Hope, was released on Playground Records located in Valparaiso, Florida. Combining various acoustic and electric elements from genres as diverse as bluegrass, folk rock, and zydeco, Tin Can Fish Band can now be heard playing these songs as well
as many others from the band's shared catalogue. Steve 's song catalogue and publishing is with BMI/TinFish.  

Jack Taggart  (drums and percussion) was born in Richmond and spent time in Orlando and Dallas before coming full circle back to Richmond. Jack first crafted his musical expression by way of guitar and singing as a usual suspect at local open mic nights during his college years in Southwest Virginia. In 2002 Jack found himself sitting behind a scaled down drum kit keeping beats in Richmond for what became known as the cover band “The Illbillys” where he occupied the drums for just over 13 years .  While writing and recording some solo efforts known as “Neon Strobe Union”, Jack also became part of  “The Lost Souls” in 2009 and they put out an EP called “Bar Flies” before the project dis-banded. Jack also played gigs with “Luz Del Sol”, formed from a singer songwriter husband & wife team affiliated with Richmond’s own Alt-Country Dirt Rock band the Atkinson’s. 

It was through a mutual friend known as “Yoga Girl” that Jack was introduced to Steve Fisher several years ago.  
Steve approached Jack and asked him to sit in for an acoustic gig on congas that eventually graduated to full drums and sarcastic asides as he became part of the yet un-named “Tin Can Fish Band”. He’s now been with the band since its inception. He  considers himself a late comer in the Richmond music scene but thrives behind the drums and as part of the booking process for the band. Jack got to know many of Richmond’s finest musicians while booking for a local music venue and feels it was part of a growing process to better understand bands, musicians and the music community. He draws influence from all genres of music but feels the foundation of rock-n-roll, twangy country and timeless rock-a-billy are his driving force.  His  kits are from Gretsch , Pacific Drums and Percussion & Ludwig. His guitars of choice are Gretsch, Danelectro, Fender & Gibson. 

Keith Macphee (bass and vocals) was born in Oceanside, New York  and grew up in New Jersey  and upstate New York. He moved to Richmond in the late 70's and fell in with Single Bullet Theory and toured the east coast until 1981. Keith joined the Bow Ties in the early 80's and gigged around Richmond for several years. Other popular bands included Joe America 1991-94 and Grumbledog 1996-98. Big hearted Keith cofounded the Circuit Riders with Steve Fisher in 1998, lending them his soulful stage presence while recording and engineering two CD projects (Deed of Trust and Sun Moon Mule) for Planetary Records. 

Keith has been a true stalwart in the Richmond music scene for many years and continues to entertain audiences far and wide.  He and Steve have co-written several songs and have collaborated together as bandmates in the Circuit Riders and in the recording studio since 1998. Keith teamed up with Doug and Steve in the fall of 2012 for some acoustic gigs, and the full fledged Tin Can Fish Band was born in 2013 with the addition of Jack Taggart on drums and John Leedes on lead guitar. 

John Leedes (electric and acoustic guitars) moved to Richmond from Philly in 1973, just in time for first grade, and has played in many local bands since then. His first band was in middle school and played covers of The Who, The Beatles, and Kiss and also John’s first original song, “Live A Little.” The band was called Chaos but renamed The Illusion when it was learned that another band in town already had that moniker. In high school John played in a band with Dave Schools of Widespread Panic fame. That ensemble’s name is a little too vulgar to be printed here, and John still maintains he did not know the meaning of the name at the tender age of 15. 

After high school, John played everything from long spacey jams to edgy pop.  Bands included The Flipside, Swahili River Brothers, Left Exit, Ray Band and the Shades, Mr. Soul, Thelma Shook, Whistler's Mother, The Reaction, Harrison Deane Band, King Solomon’s Marbles, Squalor Hollow Boyz, Sister Sweet, Gary Gerloff, Blue Line Highway and the Bart Chucker Band. He has also has added his guitar prowess to the mix of Richmond favorites Amy Henderson, Dave Pollard, Wendy Pace, and The Trongone band. Over the years, John has been fortunate enough to share the bill with Matt Guitar Murphy, Little Feat, Rick Derringer, NRBQ, J. Geils, Melvin Seals, Donna Godchaux MacKay, and the David Nelson Band. John joined Tin Can Fish Band in November 2013.

Joe Conner (accordion and assorted keyboards)  has been playing around Richmond for many years in such noteworthy bands as King Solomon's Marbles, Blues Cats and Blue Line Highway. Man of few words - Joe is a great example of "still waters run deep" and his humble, positive vibe is much appreciated by his band mates and fans!
Joe joined TIN CAN FISH BAND in December, 2014 (just in time for the first CD project in spring of 2015). His distinctive accordion style is an important recognizable element of the TCFB sound and gives the band some funky gulf coast spice! Joe also contributed some great piano tracks to the CD and will be doing even more in the future. Thanks Joe!

Sunday, July 30, 2017

Loudini Interviews Moses Guest

Started in 1995, and named after Graham Guest’s fifth-generation grandfather, Moses Guest is a Texas-based southern rock band that has just enough pop, jazz, funk, jam, and country in its veins to appeal to audiences of all stripes. The current line-up, formed in 1997, was voted Best Rock/Pop in the 2001 Houston Press Music Awards (“HPMA”). At the 2003 HPMA, Moses Guest and its members were nominated in three categories: Best Guitarist, Best Keyboardist, and Best CD.
Moses Guest has shared the stage with many great acts over the years, including Moe., Steve Miller Band, JGB, Willie Nelson, Los Lobos, Leftover Salmon, String Cheese Incident, Robert Bradley’s Blackwater Surprise, David Nelson Band, Rebirth Brass Band, Jayhawks, Lisa Loeb, Colonel Bruce Hampton & the Fiji Mariners, and it played a HORDE Tour date in 1998 in Antioch, TN.
Nowadays, Moses Guest plays live shows every few months in Texas and in California and would be happy to play the larger summer festival circuit, but the band has largely been committed to working in the studio.

That studio focus is in evidence on their new album, Light, which marks the line-up’s twentieth anniversary and is their first album release since 2007’s Best Laid Plans. The super-tight, super-polished performances and arrangements hearken back to Moses Guest’s 2002 self-titled double-cd release. And the fact that Light was mastered by none other than Sean Magee at Abbey Road Studios, London, does not hurt.  

Light contains nine songs and features “Light” (the title-track), “Dawn,” “Emily,” “Free,” “Black Road,” and a rippingly Allman-esque revision of “California,” which revives the great southern rock anthem for us in epic fashion.
Light evokes a certain sophistication that can only come with twenty years of playing together, but the heart of the Moses Guest sound remains the same: it’s southern, it’s classic, it rocks, and it jams.
Rick Thompson: keys, vocals
Jeremy Horton: bass
James Edwards: drums, vocals
Graham Guest: guitar, vocals

The Best Horror Movies Based On Books

We all love a good scary movie. While many based on books have fallen flat. some have been excellent. This week on the Loudini Hard Rock & Metal Circus Lou and Keith reveal the greatest horror films based on books. Of course they also play some of the greatest hard rock that you've never heard too! Featured Loudini Artists:   Molasses Barge CrashDollz  As Darkness Dies

Molasses Barge
Doom Metal/Heavy Rock

Band Members

Brian "Butch" Balich - Vocals
Amy Bianco - Bass
Dave Fresch - Guitar
Justin Gizzi - Guitar
Wayne Massey - Drums

Pittsburgh, PA

Record Label
Blackseed Records

The official home of the Molasses Barge ! Get yer doom on !

Current Location
Pittsburgh, PA

Press contact

Booking agent


Band Members
Nikki Darling- Vocals 
Rachel Rekkit - Guitar
Kevin "Krank" Kekes- Bass



CrashDollz are Detroits wildest Punk Metal band!
**FULL LENGTH CDs AVAILABLE AT crashdollz.com**.
Finally here to re-ignite Rock and Roll, CrashDollz bring Punk sneer with Big Rock Power into a new unchartered area. Crossing demented aggression, punk attitude, heavy metal power, virtuoso musicianship and sexy/trashy/gutter punk image into a whole new music revolution that could only have come out of Detroit, CrashDollz are truly unique and one-of-a-kind. Listen to "Novocaine", "Dollhouse", "Dumpster Punk" or the radio-friendly "27 Tulip Pass" and you will hear serious songwriting talent at the core of a big explosion of rock and roll audacity the likes of which hasn't been heard in many years.

Current Location
Detroit, MI


Press contact
For press, media, interviews and reviews contact 

crashdollz@rocketmail.com or 

RockFire PR.




Booking agent
Booking agent

As Darkness Dies
Originally formed in 2011 by Paul Coleman, A.D.D.’s current defining line-up came together in 2013 and stormed the CT metal scene with the band's first self-produced album, The Future Started Yesterday. The band's debut dominated the Number One spot on the CT Reverb Nation Charts for over 18 months and reached 16th in the Nation!

On the strength of this release, A.D.D. forged their path, opening nationwide and overseas for legendary acts such as Anthrax, Testament, Death Angel, Queensryche, Fates Warning, Halcyon Way, Overkill, Prong and Obsession.

Together, the band blazed a trail of progressive metal that has its own unique style.

Personal Information
Press: http://www.asdarknessdies.com/press/

Current Location

General Manager
Michael Vescera

We are influenced by a wide range of artists from The 80's to current. We as individuals differ in our exact tastes in music, which helps contribute to the uniqueness in our songs.

Press contact
Jonna Ambur

Booking agent

Sunday, July 23, 2017

Loudini interviews Leisure McCorkle

For Leisure McCorkle—the band, the man —life is about not standing still. The nomadic alt-rocker is a student of the journey. Each mile yields another lesson, story, or a meaningful moment with an old buddy or a new friend.

Leisure goes from city to city and country to country processing moments in motion like an intellectual, emotionally engaged troubadour. You could say he is something of an anthropologist, and you’d be right. Leisure is a cognitive and evolutionary anthropologist with his guitar and without it.

His latest travelogue—the album 5000 Light Years Beyond the Speed of Sound, to be the inaugural release on his own imprint, Nappystar Chocolates—is a landmark release. It features Leisure McCorkle’s classic lineup reunited on record for the first time in 17 years. It also showcases a new artistic vista for Leisure, finding him exploring a quality of mournful melodicism reminiscent of 1980s British new-wave/dark-wave within his signature rousing hook-laden alt-rock.

“My music is really about a journey of the ‘workingman’s musician.’ Each album is concerned with giving a different portrayal of living on the road and around the world as a musical artist, collecting the philosophical and emotive thoughts of human behavior,” he says phoning in from the road where he’s already racked up 8,000 miles. “I want the music to be about experience rather than commodity.”

Leisure’s aesthetic is instantly familiar, broadly resonate, and genre defying. He pens smartly written pop brimming with thoughtful lyric conventions like alliteration, unexpected turns of phrases, and fresh meter schemes. His work in this realm recalls the emotive, clever, and sophisticated songcraft of Elvis Costello and Joe Jackson. He also injects scruffy alt-rock, punk grit, and anthemic vulnerability into the mélange.

Lore has it that Leisure earned his moniker because the neighborhood kids sensed his free spiritedness. They were onto something. “I knew at 14, I wanted to drive around and play shows. I came from a punk rock DIY scene, and, over time, forged my own niche,” Leisure says. “At this point, I’m like a mid 20th century bluesman that gigs every day of the year.”

His endless itinerary has taken him through the wilds of punk rock, where he earned a cult following with pioneering pop-punk band Misguided Youth (pre Green Day), and through exploring the majesty of the groove with Funkenstein. However, he’s best known as the driving force behind Leisure McCorkle. The group’s classic lineup features bassist Big Mike Mitchell, bass (formerly of the Sire/Warner Brothers band Jolene), percussionist Gary Guthrie (Spirit System, Elevator Action), and Grainger Gilbert (Granger) on guitar. Since 1997, Leisure McCorkle, with various lineups, has released four critically acclaimed albums, earned prime sync licensing placements with MTV, and toured nationally and internationally. Select live performance highlights include dates with Cowboy Mouth, Glenn Tilbrook (Squeeze), The Rembrandts, Frank Black (The Pixies), The Lemonheads, The Connells, Edwin McCain, Mark Bryan (Hootie and the Blowfish), Southern Culture on the Skids, Blue Dogs, and Elliott Smith.

Somehow, along the way, Leisure has been awarded a Ph.D. in cognitive and evolutionary anthropology at the Institute of Cognition and Culture at Queen’s University, Belfast (Northern Ireland/UK) under the supervision of heavyweights E. Thomas Lawson and Harvey Whitehouse (Oxford), and amassed an impressive academic resume as a thought leader, writer, and professor. “Anthropology and music are a lot alike. You meet new people and reflect, and your songs are the results of your fieldwork,” opines Leisure.

Leisure McCorkle has always been a solo project with a band personality. When the owner of a popular Charlotte, North Carolina Freehouse popped the reunion question, the band members found that special founding-band chemistry was still there, and thus launched a creatively fertile new era for the band.

5000 Light Years Beyond the Speed of Sound, was produced by longtime bass player “Big” Mike Mitschele, and is the darkest entry in the Leisure McCorkle oeuvre. “The latest album has morphed this idea into a ‘time traveler’ similar to Dr. Who. The idea is to play with concepts of time and space while creating a musical space for meaning, experience, and raw emotions,’” he shares.

The 10-track album begins with an ambient sonic snippet that slowly comes into crisp clarity, yielding to the opening track, “Warehouse.” Atmospheric keys, yearning harmonies, and winsome hooks subtly adorn this acoustic pop-rock tune. Within it is a sweetly nostalgic peek into vet indie musician touring life.

Other album standouts include the Americana-tinged “Transmission” replete with lonesome pedal steel melodies, the burly power-pop of “Turn It Up,” and the wistful ballad “Ghost Angeles.” On “Transmission” Leisure metaphorically filters the deep human need for meaningful relationships through the sacred Buddhist text for the Lotus Sutra. “The message is that someone who cares about you will always be a lighthouse no matter where you are,” he reveals

“Turn It Up” is a raucous paean to Charlotte’s famous Milestone club, a CBGB’s like underground icon. It’s an anthem that boasts beefy riffs, sublime melodic guitar interplay, and that classic Pixies-esque soft verse/loud chorus dynamic of 1990s alt-rock. The dreamy “Ghost Angeles” is about the haunting reality that physical relocation can never really distance you from heartache or emotive connection.

Up next, Leisure will tour endlessly solo, and, for select dates, with the reunited classic lineup of the Leisure McCorkleband. Thinking about the miles, the stories, the lessons, and the music, Leisure says: “Well, I’ve slept in a lot of airports,” he laughs. “I’ve met thousands of people around the world. Some of them have become my best friends. That’s the catalyst for me—the relationships and the stories. The adventure is sort of like The Hobbit crossed with Dr. Who.”