Wednesday, June 21, 2017

Loudini Interviews Chris Hawley

Warming hearts in even the coldest of places, Hawley has a gift of making people feel good with his music. The Los Angeles-based artist and avid skier, surfer, and yogi has mastered this with a perfect combination of genuinely positive vibes, inspiring lyrics, transcendent guitar work, and danceable grooves within well crafted songs. Elements of Little Feat, Bob Marley, Johnny Cash, Duane Allman, and Andres Segovia abound.

The fifth album, Rise and Shine, showcases unique songwriting, groovy finger picking, and a delicious blend of percussion. The Christopher Hawley Rollers have played everywhere from LA’s Greek Theatre to the local dive bar in your hometown, having toured internationally for the last ten years.





Gender
Male

Current Location
Los Angeles, CA

Influences
JJ Cale, Bob Marley, Little Feat, Willie Nelson, Allman Brothers Band, Meters, Johnny Cash, Rebirth Brass Band

Press contact
chrollers@gmail.com

Tuesday, June 20, 2017

Loudini interviews Chris Dodson

At WolfsCustoms, we are a small refinishing and customizing business. I myself Chris (Wolf) have been doing this for many years when I have had the opportunity. The other half of WolfsCustoms is my wife Raven, a very talented local artist, and has been so for many years. Our combined love for music of all kinds, and me a guitar player/lover and her also soon. Has brought us both to bring this new business to life. WolfsCustoms is not a luthier, nor hand made custom shop, as of yet. I pride my work in the love of the guitar and the vision of what the customers wants and desires. WolfsCustoms has outsources for things we cannot do (yet) ourselves. We have a website made but not finished as of yet. When finished it will show all the things we offer, prices, specials, ect.





As of now you may go to the photos on WolfsCustoms and see what we have done recently, and up n coming projects. As far as finishes go, we can do simple repaint, dip/swirls, airbrushing and water drop effect coming soon. The Holo-flashing we do is amazingly popular and very affordable. Another finish now available is marbilizing or what some may call bowling ball effect. We offer vinyl applications as well. We welcome anyone who would like to have something done. Also any ideas for a finish not shown or mentioned are also welcome. You may also contact us here for a quote until website is fully operational.

Tuesday, June 13, 2017

Loudini Interviews 23rd Hour

23rd Hour was created after a chance meeting at a coffee house transformed unlikely bedfellows Sherry-Lynn Lee and George Paolini into sympathetic artistic souls. They come from different backgrounds, genres and eras, but when their individual aesthetics intertwine, they hit that sweet spot of subtle adventurousness epitomized by artists such as Joni Mitchell, Norah Jones, and The Civl Wars. Their album Perfect Strangers wraps visceral stories with clever wordplay and elements of jazz, classical, rock, folk and pop. Their sound is notably organic, employing acoustic instruments and, when electric, a very clean, unprocessed tone. The album debuted at #22 on the iTunes new jazz release best-sellers list. 
A simple hello can change everything. 





For singer-songwriters and multi- instrumentalists Sherry-Lynn Lee and George Paolini, a chance meeting at an open mic transformed unlikely bedfellows into sympathetic artistic souls.  

The duo, who perform under the moniker 23rd Hour, announces its debut album -- Perfect Strangers -- a body of work that melds eclectic and urbane musicality with pop accessibility and poetic sentiments.  

Sherry and George’s artistry encompasses jazz, classical, rock, folk, and pop. They come from different backgrounds, genres and eras, but when their individual aesthetics intertwine, they hit that sweet spot of subtle adventurousness epitomized by artists such as James Taylor, Joni Mitchell, and Norah Jones.  

Perfect Strangers wraps visceral stories with clever word play. Their sound is notably organic, employing acoustic instruments and, when electric, a very clean, unprocessed sound.  

Songs on Perfect Strangers fluidly shift from Sherry at the center, with George on background vocals, to tunes led by George with Sherry providing support. Often their vocals blend in tight, flowing harmonies. Both are gifted instrumentalists, proficient on guitar, piano, mandolin, harmonica.  

It has been a transformative two-year journey for Sherry and George. “The fact that we got together seems almost magical to me. It’s changed me for the better,” George says.  

Sherry, who first approached George about collaborating, adds: “The lesson I’ve learned is it never hurts to ask.” 

Why Loosing Your Front Man Might Be the Best Thing To Happen To Your Band!

This week on the Loudini Hard Rock and Metal Circus, Lou and Keith discuss the classic bands who had as good or greater success after changing lead singers. The guys also discuss YOUR opinions too.  Featured Loudini Artists: Monster Truck Crobot Defy the Tide
















Featured Loudini Artists:

Monster Truck
The term Rock n' Roll gets thrown around pretty haphazardly. One can go as far as stating it’s been bastardized to the point of being unrecognizable, ironically shouted on stages worldwide, and classified dead or MIA by the very musicians that once upheld its standard. 

Enter Monster Truck. There's something comforting about a band name that delivers exactly what you expect to hear. Born in 2009 from the ashes of various Canadian Indie bands, Monster Truck began as a sonic affront to the very industry its members were bred from. After feeling more like cogs in the music industry machine, Jon Harvey (bass & lead vocals), Jeremy Widerman (guitar & vocals), Brandon Bliss (organ & vocals) and Steve Kiely (drums & vocals) broke free to forge their own path, answering only to themselves. “It was admittedly a bit selfish from the get-go as we only were looking to please ourselves,” laughs Widerman. Their unabashed approach to making and performing music became infectious. “We just wanted to mix all of our favorite hard rock, punk and classic rock favourites into something raw and basic,” states Widerman, almost as if to suggest that no one had done it to his liking yet. The band was doing something right. A ground swell of regional fans quickly began rushing to any local venue to see the band perform live. Rock n' Roll is clearly not dead.Offers began to pile up for Hamilton, Ontario’s prodigious sons, and the band soon realized they had to make a decision to jump in hip deep and take the record label and tour offers more seriously. “The decision was probably easier than I'd like to admit,” adds Widerman, suggesting they were probably all kidding themselves thinking they weren't willing to make sacrifices once again in an attempt to make music for a living. What started as a fun and albeit ‘selfish’ musical side-project, quickly gained momentum and took on a life of its own. Monster Truck self-released a self-titled EP produced by Gus Van Go & Werner F (The Stills, Preistess, Hollerado) in 2010 and followed up with The Brown EP (2011) produced by Eric Ratz (Billy Talent, Cancer Bats, Three Days Grace) on Indie powerhouse Dine Alone Records. The Brown EP aggressively showcased the band’s ability to keep a firm grasp in the classic roots that enabled them, while staying contemporary and true to their vast influences. Singles “Seven Seas Blues” and “Righteous Smoke” became runaway hits reaching Top 10 on Canadian Rock radio and true to their notorious maxim “Don’t F*ck With The Truck”, the band hit the road with a vengeance. Tours included a 2011 cross-Canada sold-out run with The Sheepdogs. Additional tours followed in 2012 when Monster Truck was handpicked to open for Slash on his North American tour, as well as sold-out dates in support of legends Deep Purple.
After an unexpected, yet highly successful year of relentless touring, Monster Truck returned home hell bent to record a full-length album. Over the course of 2 months, the guys put together 12 original songs showcasing not only their determination to continue churning out heart-pounding rock tracks, but that also highlighted another dimension to the band’s songwriting and performance. The result is their debut full-length LP aptly titled Furiosity.

Produced once again by JUNO-nominated Eric Ratz at Vespa Studios in Toronto and Echo Mountain Studios in Asheville, NC, Furiosity showcases Monster Truck’s ability to seamlessly integrate influences from grunge and punk era greats that they love so dearly with alt-sounding vintage rock. The resulting album remains anchored in grooves, yet propulsive and volcanic, fueled by frontman Jon Harvey’s colossal vocal delivery. 

The album impressingly runs the gamut from crushing first single "Sweet Mountain River" which features a highly infectious chorus juxtaposed against a killer riff, to tracks like “The Lion” and its definitive old-school, boogie-rock vibe. “While the bulk of songs were written and executed in fairly quick fashion, tailoring the pace and fine tuning the transitions took longer than usual,” says Widerman of the writing process. “We really wanted the songs to take the listener on an exciting journey.” Gems like “Old Train” featuring epic gang vocals were in fact kept under wraps from the producer and the label until the band reworked them to their liking while “Power of the People” -- a Rage Against The Machine inspired track -- is a commentary on a society in turmoil and an anthem for those who wish to band together and make a difference. 

The band intentionally challenged themselves with “For The Sun”, spending more than a year playing the song live in order to perfect it. Slower-paced and with thought to ensuring every moment was well-crafted and building in intensity, Widerman spent 2 days in the studio just recording the intro and solos leaving other members of the band to wonder whether he would ever be satisfied with the end result. Finally, last minute addition “My Love Is True” shows a more soulful side of Monster Truck, and is another shining example of how even a down tempo song can shake you to your core. 

The constant show regiment and recording process is sharpening the band’s delivery and there's no doubt that anyone still interested in original and authentic rock music will be compelled to pay attention. Monster Truck will continue doing what they do best, steamrolling from town to town leaving legions of fans in their wake.

Gender
Plural (male)

Current Location
Hamilton, ON

General Manager
Bedlam Music Mgmt.

Influences
Beards, Hockey, Beer, Grizzly Bears, Sonic Booms, Nebulas, Flying Elbow Drops, Hourglasses, Fine Art, Grumpy Cat, Controlled Fire, Uncontrolled Fire, Mountains, Mike Brown, and Spiders

Crobot
Crobot is:
Brandon Yeagley - Vocals, Harmonica
Bishop - Guitar, Vocals
Jake Figueroa - Bass
Paul Figueroa - Percussion

Dirty. Groove. Rock.

There was a time when rock radio was dominated by great riffs. From Deep Purple’s “Smoke On the Water” and Derek And The Dominoes’ “Layla” to Soundgarden’s “Black Hole Sun” and Rage Against The Machine’s “Killing In The Name Of” it was all about that unmistakable guitar sound that instantly identified a band or song.

The four members of Crobot — Brandon Yeagley (lead vocals), Chris Bishop (guitar), Jake Figueroa (bass) and Paul Figueroa (drums) — have united to bring that back.

Blending funk, blues, metal and good old-fashioned rock and roll into a howling vortex of Yeagley’s vocals, Bishop’s guitar and the Figueroa’s backbone, Crobot have crafted an album of endless good time rock hooks that sound as inspired today as they would have on AOR radio in 1974.

“We grew up with the same riff rock and it’s seemingly lacking in today’s music. We really seem to like the rock of old and felt that was missing,” Yeagley says.

“It seems like once we started jamming we didn’t try to find a certain sound or didn’t try to write a certain style, that’s just the stuff that came out cause that’s the shit that we like, the stuff that we listen to. It was much more of a subconscious effort. Crobot defined itself,” Jake adds.

That seamless chemistry between the quartet is evident throughout their eponymous four-song EP, which serves as an introduction to the band’s upcoming Something Supernatural album, due out this October. Before getting to the, well, mystical bond, first a little back story: Yeagley and Bishop were playing together in Crobot with two other members, while Jake and Paul were in other bands. “We played shows together and we realized we wanted Jake and Paul in the band for it to work and we got them,” Bishop says. “Just jamming together it was natural and clicked right off the bat. With Jake and Paul we were on the same train going the same direction, from the beginning.”

With the Figueroa brothers in the fold, Crobot found its voice. “Once Jake and Paul came into the band a little over a year ago everything started coming a lot easier just because they were already in a band that was similar to Crobot,” Bishop says. “We all played on shows together so it was nice to have an idea and then someone to expand off of that idea. So once that started happening we realized, ‘This is what Crobot is.’”

Crobot is a band that can rock at all tempos. Whether it’s the slow-building groove of “Skull Of Geronimo,” a methodical sludge-rocker that calls to mind Soundgarden in the chorus or the more up-tempo funkified “Nowhere To Hide,” a track that sounds like the Black Crowes driving a Camaro, Crobot display stellar musicianship and lyrical depth.

For example, on “Queen Of The Light,” the powerful closing track of Something Supernatural, Yeagley sings the story of a girl yearning for a new life. “She lives the darkest life/but all she wants to be is the queen of the light,” he sings against the plaintive wailing of the slow-moving melody. It’s one of the songs destined to strike a deep chord with fans in the same way the single “Nowhere To Hide” has become a good-time anthem.

“’Nowhere To Hide,’ was another one of the first songs we had written. We were jamming ideas and pulling ideas from other songs that we had jammed on and it came together,” Paul says. “It was organic.”

“Nowhere To Hide” is one of the songs Yeagley cites as getting his feet wiggling. And he promises that on Something Supernatural there will be plenty more grooves to get fans moving, as those who’ve experienced Crobot live have already seen.

“’Night Of The Sacrifice’ is one that’s coming out off the full length and that always gets me excited to play,” he says. “It’s usually the introduction to the funkier side of what we do in our set, it’s usually the first funky track that we play. So it’s really exciting to switch that mode from more riff based stuff towards to the classic metal sounding stuff with the heavier side of things and to flip flop and see people’s reactions when we totally hit the other end of the spectrum with the funky stuff.”

Musically, “Skull Of Geronimo” is one Yeagley sees as being undeniably representative of Crobot. “That’s a little on the heavier end of the spectrum, but it’s still got that funkiness to it,” he says. And lyrically, “Wizards” might be the Crobot statement song.

“It’s an epic tale of two wizards. One is on the side of wizardry and technology while the other is the side of natural spiritual wizardry and it’s a clash of funkiness and classic metal too in the same sense. So it’s a battle of epic proportions on all sides,” he says. “It’s just a song that fulfills all the ends of the spectrum of what Crobot is.”

Then there is the storytelling ability they show on a song like “La Mano De Lucifer,” a Biblical tale that starts off, “A failed rebellion/against the one creator/exiled to the fire.”

To show all sides of Crobot takes a lot. This is a band that displays their pot-smoking proudly, like on the humorous Twitter post, “Warning, Crobot’s music has been known to turn you to stoned.”

As another side of the band, Yeagley is a devout sci-fi buff. Asked what one film Crobot does the score for, he replies without hesitation, “2001: A Space Odyssey. That movie has its own special place amongst the sci-fi world.” And for contemporary sci-fi he picks Ender’s Game. “I’m such a huge fan of that series and to see that come to life on film was really cool. It’s got battles of epic proportions and everything you love about sci-fi, just nails it,” he says.

In a recent interview with a popular Chicago website the band was asked about the four-song CROBOT EP first, then waiting on the album. Their response: “We are gentlemen so we wanted to ease the tip in first.”

And asked if they were born in the wrong era musically Jake nailed it. “I thought about it but then I realized the weed is WAYYYY better now.”

A modern rock band with a sense of humor, as well as their own hot sauce, CROBOT has already been making their mark among peers with their wild live performances. But for Crobot, at the end of the day, it is all about the sound.

“All I care about is that people walk away after hearing the album thinking, ‘Man, Crobot is the funkiest, heaviest band I’ve ever heard,’” Bishop says.


Defy The Tide
Genre
A melodic twist of metalcore and power metal

Band Members
Vocals: Carly Simon-Warneke
Bass: Greg Fristick 
Drums: Luke Tenley 
Guitars: Jesse Scott 
Guitars: Matt Friede

Hometown
Pittsburgh, PA

Record Label
Independent/Unsigned

Affiliation
BMI

About
A melodic twist of metalcore and power metal.

Biography
Defy the Tide is a melodic heavy metal band from Pittsburgh, PA and surrounding Ohio Valley area. 

Defy the Tide was founded in May of 2014 when vocalist Carl... See More

Awards
Metalholic.com 2015 Top Women in Hard Rock and Metal Unsigned Spotlight- Carly Simon-Warneke

Current Location
The Ohio Valley

Booking agent
booking@defythetide.com

Sunday, June 4, 2017

Time to Create a Supergroup

Featured Artists: Royal Blood, The Standstills, FreeRockSaints












Royal Blood
Genre
Alternative Rock

Band Members
Michael Kerr - Bass/Vocals
Ben Thatcher - Drums

Hometown
United Kingdom

Record Label
Black Mammoth Records

About
Pre-order "How Did We Get So Dark?" here: https://r-oy.al/blood/_website

Biography
Royal Blood are a two piece band formed in Brighton, UK.

https://twitter.com/royalblooduk
https://soundcloud.com/royalblooduk
http://instagram.com/royalblooduk
http://www.royalbloodband.com

Gender
Male

Current Location
Brighton UK

Press contact
Print: andy.prevezer@warnermusic.com / Online: morad.khokar@warnermusic.com / International Press: josh.jennings@warnermusic.com

Booking agent
UK/EU - charlie.myatt@13artists.com / lola.mitchell@13artists.com - North America - KMS@wmeentertainment.com / RF@wmeentertainment.com

The Standstills
Genre
Rock and Roll

Band Members
Jonny Fox- (Vocals/ Guitar)

Renee Couture- (Drums/ Percussion)

Hometown
Oshawa, ON

Record Label
eOne

About
Official Facebook Page

Biography
The Standstills compose a story being brought down to its core, stripped of all inessentials, and rendered art. Like rugged, spare, soulful prose, their craft is Hemingway meets John Lee Hooker, overdriven.

Awards
Best new group- Mainstream Rock (Canadian Radio Music Awards 2016)

Current Location
Oshawa, ON

General Manager
Amir Epstein
1 (647) 377-1332
(amir@epsteinmanagementfirm.com)

Press contact
Ola- Ola@indoorrecess.com

Booking agent
UTA:
Ralph.james@unitedtalent.com
Zaed.Maqbool@unitedtalent.com

Free Rocksaints


Hometown
Καβάλα

Record Label
GROOVEYARD RECORDS NY-USA

About
Established in the summer of 2016.
Retro Ηard Rockin' Blues Funk.